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By Lewis Foreman Day

This can be a generation Of the unique 1910 variation.

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Alphabets old and new

It is a iteration Of the unique 1910 variation.

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The latest comers in it were G H K Q X Y Z. ; In its gamma adaptation to the Latin language, Greek or G becomes C. equivalent to hard C. To G is, in fact, almost the not too subtle ear the two sounds are like enough to pass one for the other, just as soft When G came distinct though C may be made to do duty from C, then C in its turn was used did not go quite out of use. K for S. to be used as a separate letter, for K, Art in the Alphabet. oiKDceriffiNwenenoie tom4onay6icTwnw efirACMN vw$ H WNMf fe; wroM»NMopl m(jbciw#AOTNMraNKxra).

Themselves to more variety not being so perfect in Roman, To some, perhaps, they are more Art in the Alphabet. interesting on that very account : 23 perfection palls Anyway, the Gothic forms are often very beautiful. The Roman letter is classic, and upon us. therefore fixed fixed, — should or, and therefore With regard classic it rather be said, it is ? to the Gothic minuscule character (23, 24, 25), the even perpendicularity of the broad, straight strokes gives at a glance the character distinguished as " black letter," because rela- it is ABCDeFQHHLM NOPQRSTVXZ 22.

You have only to look at it (54, 56, 57) to how precisely fit it is for its purpose. There is graver. see no mistake about it, it is incision. Manuscript writers adopted for book writing a different character, or rather they adapted the square capital letter to more ready execution with the pen, and so evolved a rounder kind of letter — not that which is known by the name of uncial was invariably inch-long, as the term is it supposed to imply. The is intermediate, you between the monumental writing and uncial form of writing will see (8), the " current " hand of the ready writer.

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