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Manifesto for global Revolution, half three is an paintings Novella that explores what it potential to appear in the direction of the longer term in a time the place we will be able to simply define the geo-political implications of weather swap. In it, we hint the heritage of the eras during the connection of artwork and conflict, transcending our recommendations of development and rediscovering the roots of anarchism.
May love and revolution upward thrust from the ashes of this loss of life civilization.

Andy Merrifield on Marxism and citizenship
Gwynne Dyer discusses the truth of weather wars
Matthew Bartlett on New Zealand’s Occupy experience
Peter Pomerantsev on Euromaiden and the spirit of revolution
Simon Critchely at the western roots of the Islamic State
Kalle Lasn and Darren Fleet on global battle 3
Tyson Kelsall, Sasha Lakic and Joshua Gabert-Doyon record from the frontlines of scholar activism

With this factor, we’re relocating ever in the direction of a second of world progressive fervor. This December, we’re making plans a #billionpeoplemarch, our ultimate stand opposed to an international order which refuses to supply tangible motion within the face of forthcoming weather disaster.

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Extra resources for Adbusters (July-August 2015)

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Perhaps that is how it was and how it will be. Perhaps all we can do is try our best (successfully or not) to create a ripple effect for a better more peaceful world. Perhaps that’s what I and fellow volunteers at the Palestine Museum of Natural History are trying to do. Perhaps, as the old song says: in the end only kindness matters. It is good to be here in beautiful Paris with Eitan and Tal and all the other good people. But I already miss my mother and miss Palestine. indd 13 Maybe lack of sleep makes my mind wonder into Buddhist philosophies (Joyful participation in the sorrows of this world) and and to mystic philosophies (Rumi’s words come slushing around my brain).

The film is set in Kharkiv, a border city where pro-Maidan and pro-Kremlin crowds fought in the street, and Russian tanks lined up 30 kilometres from the centre. ” The blind reporter can feel the fear in the city: “It’s like a void, a void,” he keeps saying. The poet is haunted by a dream he had as an 18-year-old in which he was told he would die at 39 – his age now. The prosecutor tries to define the difference between a criminal and a traitor (“a traitor has lost the right to be forgiven”) then breaks off to confess: “I’m scared for my wife and family.

Tudor writes of the LG Group, another of the sprawling “octopus businesses” that rule the economic landscape, where employees once sung: “We are industrial soldiers leading the times, with our new and continuous creativity and study . . ” The words might as well be the lyrics to an unsatisfying electronic track: all build up . . no bass drop. These twisted pirouettes of accelerating sound drift into polluted air of the endless downtown beneath neon crucifixes. It’s a ghostly wail of empty noise in an electric labyrinth of alleyways, drowning out the gong of a Buddhist prayer bell in the hills.

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