Download Access All Eras: Tribute Bands and Global Pop Culture by Shane Homan PDF

By Shane Homan

From Björn back to the unlawful Eagles, from Black Stabbath to the Essex Pistols and the Bootleg Beatles, tribute bands include an important zone of many nationwide tune scenes. Access All Eras is the 1st booklet to check the tribute and canopy band phenomenon and its position in the international well known tune undefined. the power of tributes to augment or problem the very proposal of stardom is explored via reviews of imitations of varied iconic pop and rock performers, together with Elvis, the Beatles, Jimi Hendrix, ABBA and the seashore Boys. research of such tribute acts can let us know a lot approximately how the meanings of performers and function movement globally, and are resisted or accommodated via neighborhood tune cultures within the commercialisation of reside and recorded stories.

The booklet additionally appears to be like at song attitudes in the direction of imitation, together with copyright concerns and using multimedia functionality concepts to convey the ‘authentic’ tribute event. It bargains an perception into how understandings of nostalgia and famous person movement inside modern society and are hooked up with different media and relaxation industries.

Access All Eras is essential examining for college students in renowned track, media reviews, cultural experiences, arts, song, sociology, appearing arts and pop culture experiences.

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And Horne, H. (1987) Art into Pop. London: Methuen. Giuliano, G. (1992) The Beatles: A Celebration, 2nd edn. London: Sunburst Books. Laing, D. (1985) One Chord Wonders: Power and Meaning in Punk Rock. Milton Keynes: Open University Press. Lash, S. (1990) Sociology of Postmodernism. London: Routledge. MacCannell, D. and MacCannell, J. (1993) Social class in postmodernity: simulacrum or return of the real? in C. S. Turner (eds) Forget Baudrillard? London: Routledge. Martin, G. and Hornsby, J. (1979) All You Need Is Ears.

There are, however, a further set of issues that need to be examined in relation to why tribute bands have become such a popular form of entertainment over the last 20 years. I have already noted how part of the appeal of the tribute band phenomenon relates to its feeding the audience’s desire to experience again the spectacle of their favourite artists in a live setting and, in some cases, to have particular unfulfilled dreams regarding these artists brought to life. I have also noted how a major part of the tribute band’s success rests on the willingness of the audience to go along with the ‘trick of illusion’ that the tribute band performs.

London: Picador. Frith, S. (1988) Music for Pleasure: Essays in the Sociology of Pop. Oxford: Polity Press. Frith, S. (1996) Performing Rites: On the Value of Popular Music. Oxford: Oxford University Press. Frith, S. and Horne, H. (1987) Art into Pop. London: Methuen. Giuliano, G. (1992) The Beatles: A Celebration, 2nd edn. London: Sunburst Books. Laing, D. (1985) One Chord Wonders: Power and Meaning in Punk Rock. Milton Keynes: Open University Press. Lash, S. (1990) Sociology of Postmodernism.

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