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By Noritake Tsuda, Patricia Graham Ph.D.

A heritage of jap Artt bargains readers a complete view of eastern artwork via eastern eyes—a view that's the so much revealing of all views. while, it presents readers with a consultant to the locations in Japan the place the simplest and such a lot consultant creations of eastern artwork are to be visible

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136 71. 137 72. 138 73. 140 74. 141 75. 143 76. 144 77. 144 78. 145 79. 145 80. 146 81. 148 82. 149 83. 150 84. 151 85. 151 86. 152 87. 153 88. 154 89. 156 90. 157 91. 162 92. 163 93. 164 94. 165 95. 166 96. 167 97. 168 98. 169 99. 172 102. 206 125. 210 128. Detail of Fig. 128........................... Mt. Mt. Daibutsu . 325 217. Detail of the Fig. Main Hall . 354 243. 359 246. Sambō-in Garden (I) . 396 286. Octagonal Bronze Lantern . Detail of the Angel (Fig. Hokke-dō . Detail of Fig.

Here we have an excellent specimen of a bit cheek-plate made of gilt bronze backed with an iron plate. On its surface is a graceful foliage design in open work (Fig. 11). This was exhumed from a burial mound at Mikoya in the province of Tōtōmi and is now on view in the Tokyo Imperial Household Museum. A harness pendant of gilded bronze, no less beautiful than the above cheek-plate, with similar technical excellence, was found in the same burial mound and also can be seen in the same museum. (Fig.

Prepared by Patricia J. Graham AUTHOR’S PREFACE I have been making the study of art my specialty for a long time in order to find out the close relationship between color, forms, and spirituality. I am glad to have this opportunity to give some of the results of my study to the public, hoping that this may contribute something to the elevation of esthetic appreciation and to better understanding between the East and the West. I am gratefully indebted to Baron Ino Dan, former Professor on Art in the Tokyo Imperial University; Mr.

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