By Francis O'Gorman
This quantity provides clean ways to vintage Victorian fiction from 1830 to 1900. which include a sequence of unique essays written by means of in demand experts within the box, it opens up the cultural international within which the Victorian novel used to be written and skim. The 12 participants supply new views on how Victorian fiction pertains to a number vital modern contexts, together with classification, sexuality, empire, psychology, legislation, visible tradition, biology and the stipulations of authorship. Their contributions go conventional disciplinary barriers, permitting readers to appreciate the Victorian novel’s advanced engagements with different features of nineteenth-century society.
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Additional resources for A Concise Companion to the Victorian Novel
A synecdoche for all imperial commodities, the Moonstone’s overwhelming beauty is matched only by the overwhelming disturbance of English domestic life to which it gives rise. The diamond in The Moonstone reflects the function of empire in the production of wealth. The confident references made in that novel to ‘the’ Indian or oriental character provide a reminder that empire was also a locus for the production of knowledge – ethnographic knowledge in particular. Kurtz’s report on ‘savage customs’, Creighton’s series of ‘monographs on strange Asiatic cults’ (ch.
Of all the products of that discipline in its Victorian infancy, perhaps none was more momentous than that of ‘race’. Previous to the nineteenth century, conceptualizations of the differences among various humans from various parts of the world tended to view those differences as subject to change. Although Europeans during the Enlightenment, for example, ranked themselves at the top of a hierarchy of peoples, the qualities that they believed placed them there could be learned, acquired. The nineteenth-century sense of ‘race’, by contrast, anchored perceived differences in biology and, hence, understood them as permanent.
Walter Hartright, a character in Wilkie Collins’ The Woman in White (1860), well expresses this sense of untamed and unexplored places as male testing grounds when he writes of a voyage in Central America: ‘In the waters of a new life I had tempered my nature afresh. In the stern school of extremity and danger my will had learnt to be strong, my heart to be resolute, my mind to rely on itself. I had gone out to fly from my own future. I came back to face it, as a man should’ (p. 427). Countless novels by Henty, John Buchan, R.